The conformist analysis. The Conformist: No 13 best arthouse film of all time 2022-10-18
The conformist analysis Rating:
9,9/10
1962
reviews
The Conformist is a novel by Alberto Moravia, published in 1951. It tells the story of Marcello Clerici, a young man living in fascist Italy who is recruited by the secret police to infiltrate a group of anti-fascist intellectuals. The novel explores the theme of conformity and its destructive effects on the individual and society.
Marcello is a complex character who is torn between his desire to fit in and his sense of morality. On the one hand, he wants to be a good fascist and conform to the expectations of his society. On the other hand, he is attracted to the anti-fascist intellectuals and their ideas, and he feels guilty about betraying them. This internal conflict is a key part of Marcello's character arc, and it ultimately leads to his downfall.
The Conformist is a deeply unsettling novel that exposes the dangers of blindly following authority and the consequences of compromising one's values in order to fit in. It shows how easily people can be swayed by propaganda and the power of groupthink, and how this can lead to disastrous consequences.
The novel also explores the theme of identity and how it is shaped by society. Marcello's identity is constantly in flux as he tries to conform to the expectations of those around him. He becomes a different person depending on who he is with, and he is never able to be true to himself. This lack of authenticity ultimately leads to his downfall as he is unable to reconcile his conflicting desires and values.
In conclusion, The Conformist is a powerful novel that highlights the dangers of conformity and the importance of individuality. It is a cautionary tale about the dangers of blindly following authority and the importance of standing up for one's beliefs, even when it is difficult to do so.
An Analysis Of Protagonists In The Godfather And The Conformist: [Essay Example], 1439 words GradesFixer
Many governmental changes occurred in the political system of the country, causing a level of desperation to evolve. With the confidence that we were both very familiar with the Fascist era through the movies, we thought we could both approach the topic with new eyes. With every act duplicitous, doubt is a part of his performance. The symbolic colour-coded photography, the virtuosic flashback structure, and, no doubt, the idea that you could explore something as seemingly unfilmable as the psychopathology of fascism in that paradoxical object, an art film filled with car chases, sex and violence. I noticed that in the movie, the light design in most of the scene is gray, lifeless.
'The Conformist' and the Fascist Rage of the Boys of the American Midwest
Storaro:In that sequence, there's a beam of light that follows Clerici through the street, and when he comes upon Lino, the beam stops on the two of them for awhile. Throughout most of the film, the moves are very restrained and tightly controlled. She is masked and tattooed along her body The image of sexuality in general is completely modern and liberated, leaning towards pornographic in this film. The use of light is particularly dramatic during a key scene in which Clerici and Professor Quadri meet in the latter's office. Marcello makes such a big scene that his former chauffeur runs away, and Marcello realizes that one event from his childhood ā the sexual advance from the chauffeur and the shooting ā was responsible for creating the soulless monster that he become.
The Conformist: No 13 best arthouse film of all time
I have always been curious if director, Victor Fleming and producer, David O. A chauffeur pulls up in a limousine and the bullies disperse. Prince is a filmmaker from Harlem, New York and the author of the book How to Roll a Blunt for Dummies. It is as if all his life he has tried to repair the loss and emptiness, using the discourse of justice to explain his criminal actions. Marcello learns that the professor and his wife are traveling to a vacation home in a few days and relays this information to his fascist handler, helping him with the assassination.
Character Analysis of Marcello Clerici in The Conformist, a Novel by Alberto Moravia
The entirety of this party reveals the lavish lifestyle of the affluent. Ironically, when many women first began to play sports, they were shunned and covered up, unable to play in venues with men in attendance because it would be unladylike for men to see women sweat. Blondie was not embarrassed in telling her first kiss to the other women present. She used the full force of her charm and was profoundly flirtatious with men from the start of the film. In particular, it was quite compelling to see the lighting shift as Clerici vacillated between being a good fascist and living a normal life. They don't want to listen, though, and instead they kill him. What comes across afresh is Italian cinema's recurrent insistence on finding in fascism a sexual reflex - both cause and effect of sexual dysfunction, guilt and abuse.
Bertolucciās The Conformist uses cinematic language to takedown fascism
These frequently take the form of horizontal and vertical shadows, as well as barred windows, trees and architecture, and occasionally literal bars. The figures emerge through the use of light and shading from the half-light of the cavernous visionary landscape. Should you accept the worst in life? And he is glad to find people like him, his equals. In Paris, he seeks out Professor Quadri and takes Giulia to meet him. Thus, the messages are strategically distinct but symbolically intelligible.
In the first 20 minutes or so, there are many shots of the driver, Manganiello, while Clerici recalls all of the events from his life that have brought him to this point. I was praying that she would let us do it, because if she didn't allow us to set up an arc light in her garden, we wouldn't be able to do our scene. Selznick and screenplay writer, Sidney Howard knew what they were creating a masterpiece and how this film would have such an enormous impact on audiences for years to come. En route to their honeymoon, Guilia tells Marcello about her past rape. Thereafter, this shows the mood and feelings of the people in the film.
Both fictional characters stand out from the canvas and inhabits the imagination of popular culture, making the two films phenomena of the cultural industry. I knew I would need to erect a parallel in the garden of the house next door, so we had to get permission from the lady who lived there. His duplicity is equally important as the reinfections throughout. So after his discussion with Clerici, Professor Quadri realizes that his former student has been hired to kill him. As we did the scene, I realized that the lighting was completely wrong from a philosophical perspective, but I didn't have the courage to tell everyone to stop what they were doing.
After the first take, Bernardo asked me if I'd gotten the shot, and I told him I wasn't sure. The two couples go out to dinner. When I had read that scene in the script, I got an idea about how to light it, but when were actually on the set, I only had one arc light. When Godard arrived, he said nothing, only handing Bertolucci a note before leaving. The mise-en-scene is quite interesting. While Clerici is trying to hide in the dark corners of this restaurant, Manganiello tips the light to reveal him.
5 Reasons Why āThe Conformistā is a Masterpiece of Italian Cinema
So, in a way, The Conformistwas my passport to Apocalypse, and all of the films I've done since then. There Marcello tries to persuade Lina into an affair, and Lina tries to seduce Giulia, both without success. Certain things are merely suggested, so you have to interpret the meanings and read between the lines. The second is the date of publication online or last modification online. This romantic melodrama was released in January, 1940, yet it was at the 1939 Academy Awards that Gone with the Wind was nominated for thirteen awards, the eight awards that were won were Best Picture, Director, Actress, Supporting Actress, Screenplay, Color Cinematography, Art Direction, and Editing Ten Films that Shook the World.
