Ivan Puni, also known as Ivan Puni-Frumkin, was a Russian artist and member of the Russian avant-garde movement in the early 20th century. He was born in 1892 in Moscow and began his artistic career as a student at the Moscow School of Painting, Sculpture, and Architecture.
Puni was part of a group of artists known as the Jack of Diamonds, which included Kazimir Malevich and Mikhail Larionov. This group was known for their innovative use of color and form, as well as their rejection of traditional artistic techniques and subjects. Puni was particularly interested in exploring abstract and cubist styles, and his paintings often featured geometric shapes and bright, bold colors.
One of Puni's most famous works is his series of paintings known as "The City." These paintings depict the chaotic and vibrant energy of city life, with bright, abstracted shapes and lines representing buildings, streets, and people. Puni's use of color in these paintings is particularly striking, with bright reds, yellows, and blues creating a sense of energy and movement.
In addition to his paintings, Puni also worked in sculpture and graphic design. He designed a number of posters and advertisements for various events and products, and his graphic design work was known for its bold, modernist style.
Throughout his career, Puni exhibited his work in galleries and museums both in Russia and abroad. His work was influential in the development of the Russian avant-garde movement and continues to be highly regarded by art critics and historians.
In summary, Ivan Puni was a talented and innovative artist who was instrumental in the development of the Russian avant-garde movement. His paintings, sculptures, and graphic design work all demonstrate his unique artistic style and his ability to push the boundaries of traditional art forms.
Listed Artist Jean Pougny (Ivan Puni) (1892
In Russia Puni had organised major exhibitions of avant-garde art illustrating the transition from Cubism and Futurism to the radically non-figurative art of Suprematism. The painting has not been examined out of the original gallery frame but does not appear to have any other damage. Puni and his wife, Kseniya Boguslavskaya, emigrated from Russia in 1919, first to Finland, then in 1920 to Berlin, where the first exhibition consisting entirely of his work was held at the Galerie der Sturm. In Berlin too, he played an active part in the art scene. In 1946, Ivan Puni took French citizenship. Xana Bougouslavskaya, a Russian painter herself, d.
In the years 1915-1916, Ivan Puni was a member of the creative union of avant-garde artists "Supremus", the creator of which was Kazimir Malevich. With his oversized gaiters and little moustache, the figure bears some resemblance to Charlie Chaplin, the star of silent cinema. This work engages with real space: curving planes balloon out from their wooden ground, and three-dimensional shapes dynamically crisscross and stack up, as if they might break free from the panel. By 1909, he had his own studio. In the early 1920s, they emigrated - first to Germany, then to France. . Ivan Puni was born in Kuokkala then Grand Duchy of Finland in the Russian Empire, now Repino in Russia to a family of Italian origins.
The city was a stepping stone on his escape from Soviet Russia before he made Paris his new home. Soon afterwards Puni took part in the legendary First Russian Art Exhibition at the Van Diemen Gallery, the first broad overview of Russian art to be staged for a Berlin audience. The gold gilt gallery frame is in excellent condition with no cracks, repairs, or major losses. Ivan Puni was married to Xenia Boguslavskaya, who was also an avant-garde artist, as well as a designer and poetess. His paternal grandfather Caesar Pugni is a famous ballet composer. The same also applies in reverse.
Museum Sunday: Every first Sunday free admission for all visitors! Ivan Puni 1892—1956 arrived in Berlin in 1920. At this point, he began painting in a Cubist style reminiscent of Juan Gris. The Riklis Collection of McCrory Corporation, 1983 Provenance research is a work in progress, and is frequently updated with new information. While in Berlin, Puni also designed costumes and sets for theatrical productions, and published a book criticizing Suprematism. By 1978 The Museum of Modern Art, New York.
He died in Paris in 1956. Puni also organized the exhibitions Tramway 5 and 0. There are two light creases in the upper right corner that are barely visible from a short distance. There is a small chip directly in the top center. Puni and Boguslavskaya relocated to Paris in 1924, where his style changed once again to a variant of Impressionism.
In 1915, Puni, Aleksandra Ekster, Liubov Popova, Ivan Kliun, Ksenia Boguslavskaya, Olga Rozanova, Nadezhda Udaltsova, Nina Genke and others formed Supremus, a group of artists dedicated to the promulgation of Suprematism, the abstract art movement founded by Malevich, and first exhibited at the 0. He transformed the rooms into a total art work and had sandwich-board men in Cubist costumes walk up and down KurfĂĽrstendamm. Malevich and Puni co-authored the Suprematist Manifesto, published in 1916, which proclaimed a new, abstract art for a new historical era. In 1919, Ivan Puni taught at the Art Institute in Vitebsk under the supervision of Marc Chagall. Upon his return to Russia in 1912, he married fellow artist Kseniya Boguslavskaya, and met, and exhibited with, members of the St Petersburg avant-garde, including Kazimir Malevich and Vladimir Tatlin.
The painting is an absolute gem and ready for hanging as-is. His father, a cellist, insisted that he follow a military career, but Ivan instead decided to take private drawing lessons with Ilya Repin. His parents were from Italy. In 1919, he taught at the Vitebsk Art School under Marc Chagall. He was the grandson of an eminent Italian composer of ballet music, Cesare Pugni. . .
