The Oresteia is a trilogy of Greek tragedies written by Aeschylus in the 5th century BC. It tells the story of the House of Atreus, a royal family plagued by a curse that stems from a murder committed by the family's ancestor, Tantalus. The three plays that make up the trilogy are Agamemnon, The Libation Bearers, and The Eumenides.
In the first play, Agamemnon, we see the titular character returning home after a long absence, having won the Trojan War. However, his wife, Clytemnestra, has grown tired of waiting for him and has taken a lover, Aegisthus. Together, they plot to kill Agamemnon upon his return. Clytemnestra is successful in her plan, and Agamemnon is murdered in his own home.
The second play, The Libation Bearers, follows the story of Agamemnon's son, Orestes, who has been away from home for many years. Orestes learns of his father's murder and returns home seeking revenge. With the help of his sister, Electra, Orestes kills both Clytemnestra and Aegisthus, fulfilling the curse of the House of Atreus.
The final play, The Eumenides, deals with the aftermath of Orestes' actions. The Furies, ancient deities who punish crimes, pursue Orestes for the murder of his mother. Orestes pleads his case before the gods, who ultimately absolve him of his guilt. The play ends with a resolution and the establishment of a court of law to mediate disputes, ending the cycle of violence within the House of Atreus.
The Oresteia is a powerful and enduring work that explores themes of justice, revenge, and the rule of law. Its depiction of the fall of the House of Atreus and the eventual resolution of the curse serves as a cautionary tale about the dangers of letting personal grudges and desires for revenge consume one's actions.
The Aeneid Book III Summary & Analysis
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Iphigenia
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The Oresteia Trilogy by Aeschylus
Retrieved December 16, 2010. It is this last question that Aeschylus asks most insistently in his two most famous works, the Agamemnon, Choephoroi, and Eumenides and In addition to their remarkable probing into the nature of existence, their achievements included a degree of psychological insight for which they are not generally given credit. Holicong, PA: Wildside Press. Yet again they were left vulnerable to outside attacks. Sparta was able to defeat Athens in naval battle in 405 BCE, effectively destroying Athens' once strong naval power.
Seven Against Thebes (play)
Euripides also reduced the role of the chorus in favor of more dramatic action in front of the audience. Many Greek tragedians make use of dramatic irony to bring out the emotion and realism of their characters or plays, but Euripides uses irony to foreshadow events and occasionally amuse his audience. Once again, he deploys a cage-like frame that surrounds the pope, but also introduces vertical brushing across the surface of the painting, an element he described as a curtain, relating the figure to a precious object requiring a protected space. The later plays also feature extensive use of Ion lines 264—369. Medea, enraged, plots revenge by killing her husband, Jason's, children, as well as both his new wife and father-in-law. Knox, 'Euripides' in The Cambridge History of Classical Literature I: Greek Literature, P.