As wide as is an adverb that describes the extent or degree to which something extends or expands. It is used to convey the idea that something is very broad or expansive, covering a large area or distance.
One common use of the phrase as wide as is to describe the width of something. For example, a person might say, "The river is as wide as a mile at this point," to convey that the river is very broad and covers a large distance. Similarly, someone might say, "The room was as wide as a football field," to convey that the room was very large and spacious.
As wide as can also be used to describe the scope or range of something. For example, someone might say, "The company's operations are as wide as the entire country," to convey that the company has a very large presence and does business in many different locations. Similarly, someone might say, "The impact of the disaster was as wide as the entire region," to convey that the disaster affected a large area and had far-reaching consequences.
In addition to its use in describing physical dimensions or scope, as wide as can also be used to describe the breadth or depth of something more abstract, such as knowledge or experience. For example, someone might say, "She has a knowledge base as wide as any expert in the field," to convey that the person has a very broad and deep understanding of a particular subject. Similarly, someone might say, "His experience in the industry is as wide as anyone's," to convey that the person has a very broad and diverse range of experience in a particular field.
Overall, the phrase as wide as is a useful way to describe the extent or degree to which something extends or expands, whether it be physical dimensions, scope, or more abstract qualities. It is a clear and concise way to convey the idea that something is very broad or expansive, covering a large area or distance.
Valentino Couture Fall 2008
The van Dyck reference gave her the idea for playing with lace in pale wool embroideries, laser-filigree cuffs, and buttons—all elements that contributed to her redrawing of the outlines of Valentino's classic suitings with curved, slightly space-age volumes. There is something incredibly refined in her choices of barely-there tints of ivory, nude, eau de nil, dusty pink, and lilac, and in her finishes: minuscule rolled hems on trumpet sleeves, petal-like ruffles fluttering in the small of a back, and flyaway trains. COPYRIGHT All works posted on this site are in compliance with the laws and regulations concerning copyright and related rights. What made that instantly forgivable, though, were the moments when Facchinetti lightened up her designs with a waft of chiffon. First steps on a couture runway are daunting for any young designer, especially if she's following a master like Valentino.
The 16 Most Memorable Valentino Couture Looks of All Time
The first major retrospective mounted following Mr. The starting point was a new strong romanticism, without the typical Valentino sweetness. Alessandra found inspiration in van Dyck oeuvres, contemporary paper sculpture and the house embroidery archive. Valentino Couture Fall 2008 collection The result was full of grace yet very modern. Any violation of the obligations set out therein will be prosecuted. PRE-ORDERS X Items you pre-order are reserved for you, and will be shipped out as soon as they are available.
It wasn't a retrospective, but the essence was all there: the Val way with double-faced coats and little luncheon suits; the fragile beaded chiffons; the cocktail sheaths; the love of lace, flower prints, and succulent satin bows; the magical draping; and the manner in which he cut a column and arranged an asymmetric shoulder strap just so. As fragile as these might seem, they're a signature to build on, and one that Mr. Valentino is nothing if not classy, though, and despite the tears among his audience, friends, and staff, he exited the stage without overplaying the sentimental moment. THE VALENTINO ANATOMY OF COUTURE COLLECTION Driven by the urgency of rethinking the rituals and processes of Couture in order to create a canon that reflects the richness and diversity of the contemporary world and promoting an idea of beauty that is not absolute, Creative Director Pierpaolo Piccioli imagined this Valentino Anatomy of Couture collection not on one single and idealized house model, but on a variety of women with different body frames and ages. The total of the pre-order items will be charged on your chosen payment method after you order in placed.
Such a powerful and emotional conclusion to the Valentino Haute Couture 2008 show makes it easy to forget the actual défilé—or it would, if the clothes Mr. Valentino making his way through a sea of red—models dressed in those identical red gowns—as he heads out for a last bow. The crowd rose for a standing ovation—a crowd that included Uma Thurman, Miuccia Prada, Alber Elbaz and Claudia Schiffer. The collection embraced Valentino signature style: double-faced coats, cocktail skirt suits and sheath dresses; beautiful draping, beaded chiffon, lace, flower prints and satin bows, all in a beautiful and soft pastel color palette. If there was a glitch, it lay in some of the overloaded embroideries made with knotted skeins of wool, minute silver plastic cogs, and tiny hemispherical domes of georgette and metal. Uma Thurman was there to salute him, along with Lucy Liu, Alber Elbaz, Miuccia Prada, Nadja Auermann, Eva Herzigova, and Claudia Schiffer.
The message does not change in its purpose, which is to convey beauty, but in the welcoming expression. As Sarah Mower wrote in her review for Style. The total of the pre-order items will be charged on your chosen payment method after you order in placed. The woman in question: Alessandra Facchinetti, the ex-Gucci designer who, from now on, will carry the Valentino flame. Understandable, though, because which designer wouldn't let the thrill of experimenting with the capabilities of Valentino's in-house sewing experts go to her head? Valentino took his last-ever runway bow. Right enough: What he showed was a fitting conclusion to 45 years of celebrating the happy side of femininity and—at least for one young woman in the audience—a lesson in technique, joie de vivre, and the principles of old-school glamour.
It will be Facchinetti's mission to capture the essence of Valentino and turn it in a modern direction. If you order products that are already in stock together with pre-order items, they will be shipped in separate packages. . The result was too heavy when cut into some of her curviform suits, and the overembellishment similarly weighed down a hopsack strapless evening gown. Valentino, should he inspect this collection from afar, might feel rather happy to behold. The book accompanying the exhibition opens with a remarkable spread of photos documenting the preparations for Mr. Alessandra Facchinetti carried it off with quiet grace and a point of view that promises to bring a breath of fresh air to the house.
Soft and welcoming in the democratic spirit, and at the same time radical in the approach that rewrites known processes, Pierpaolo Piccioli builds the collection as a composite harmony of physical types and the clothes that dress them, studied through a long process, both scientific and poetic. First couture show for young designer Alessandra Facchinetti brought a fresh vibe to the Italian fashion house of Valentino. Reproduction, communication and making available to the public, rental and lending, public performance, distribution and dissemination of works, without the authorisation of the right-holders, are prohibited. If you order products that are already in stock together with pre-order items, they will be shipped in separate packages. Valentino took his final walk down the runway to a standing ovation.
The strapless pink tonal one in silk voile, appliqued with ruffles and flowery corollas, which has since featured in virtually every Valentino retrospective. Maybe he felt the memory of his last haute couture—his legacy for the future—shouldn't be overshadowed. But if Facchinetti captures that pristine state of fashion loveliness and turns it in a modern direction, she'll be heading on the right path. The poetic penultimate shot in the series shows Mr. The couture show didn't entirely follow fashion trends but there were outstanding pieces with a timeless appeal.
It was just one red gown, actually—projected on the walls and worn by all of the models who filed out moments before Mr. You can find the estimated shipping date in the item page and in your order details. It ended, of course, with that unforgettable parade of models in red gowns, before Mr. He's a hard act to follow. When it came—and it's been a long time approaching—Valentino Garavani waved his last goodbye in a room literally lined with the ultimate image of his contribution to fashion: the gorgeous red gowns he has worked from first to last. If it didn't all belong to the contemporary swim of things, there were standout moments that were both relevant to fashion right now and timelessly gorgeous—an airy pink gazar trapeze coat over a fondant orange shift; a white tailored dinner dress with a raised waist, short sleeves, and collar beaded in silver crystal; or a one-shouldered white satin dress with a knotted strap, splendidly walked by Natalia Vodianova. You can find the estimated shipping date in the item page and in your order details.
