Twelfth night viola and olivia act 1 scene 5. Twelfth Night Original Text: Act 1, Scene 5 2022-10-19
Twelfth night viola and olivia act 1 scene 5
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In Act 1 Scene 5 of Shakespeare's Twelfth Night, we see the first interaction between Viola, who is disguised as a man named Cesario, and Olivia, the woman she is sent to woo on behalf of Duke Orsino. The scene opens with Olivia's maid, Maria, sending Viola/Cesario away, saying that Olivia is in mourning for her brother and will not receive any visitors. However, Viola persists and delivers a message from Duke Orsino to Olivia, declaring his love for her.
Olivia initially resists Orsino's advances, saying that she is in mourning and has vowed to remain chaste for seven years. However, as Viola/Cesario speaks on behalf of Orsino, it becomes clear that Olivia is beginning to develop feelings for the messenger. She becomes flustered and agitated, asking Viola/Cesario to leave before she succumbs to her emotions.
This encounter between Viola and Olivia highlights the themes of disguise and identity that run throughout Twelfth Night. Viola, who is dressed as a man, is able to gain access to Olivia and deliver Orsino's message, even though a woman would not normally be allowed to do so. This disguise allows Viola to move freely in a world where gender roles are strictly defined and women are often confined to the domestic sphere.
At the same time, however, Viola's disguise also creates confusion and misunderstanding. Olivia is clearly drawn to Viola/Cesario, even though she believes him to be a man. This attraction ultimately leads to the comedic misunderstandings and miscommunications that drive much of the plot of Twelfth Night.
Overall, Act 1 Scene 5 of Twelfth Night sets the stage for the complex and dynamic relationship between Viola and Olivia, two strong and independent women who must navigate a world where their identities are constantly in question.
Twelfth Night, Act 1, scene 5
VIOLA 250 I see you what you are. VIOLA I would build a little cabin outside your gates, and from there I'd call out to you, my soul, in your house. Signed, the madly-abused Malvolio. The lady bade take away the fool. In the same way, Olivia describes her sudden love for the handsome, young Cesario as a disease that has overwhelmed her. He is very well-favored, and he speaks very shrewishly. Through a series of questions, Sebastian and Viola identify each other and rejoice: they are reunited! Your love for Cesario was really an inclination for someone like me.
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SCENE V. OLIVIA'S house.
The twelfth night of the Christmas season was traditionally a time to celebrate revelry and extravagance and ignore social norms in Shakespeare's day. OLIVIA It is the more like to be feigned: I pray you, keep it in. SIR TOBY BELCH 'Tis a gentle man here-- a plague o' these pickle-herring! OLIVIA From the Count Orsino, is it? Olivia is uninterested in the Duke, and Cesario asks her to remove her veil. Olivia first instructs her attendants to send Feste away, but he teases her into better spirits by saying that she is the fool of the two of them—for mourning her brother, who is in heaven. I heard you were saucy at my gates, and allowed your approach rather to wonder at you than to hear you.
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Twelfth Night Original Text: Act 1, Scene 5
Who does Olivia fall in love with? VIOLA Most radiant, exquisite, and unmatchable beauty—but please, tell me if you're really the lady of the house, for I've never actually seen her. VIOLA No, my profound heart: and yet, by the very fangs of malice I swear, I am not that I play. Some critics argue that this extreme devotion can only be motivated by homoerotic desire on Antonio's part, but one can also see it is as offering a contrast to all the other loves on display in the play. Clown Now Mercury endue thee with leasing, for thou speakest well of fools! MARIA Make that good. CLOWN Well, God give them wisdom that have it; and those that are fools, let them use their talents.
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"Twelfth night" Act 1 Scene 5 Essay
Summary In Olivia's house, Maria and Feste, the jester, are exchanging quips. Orsino exclaims that Sebastian and Cesario are identical: "one face, one voice, one habit, and two persons" 5. There's no real harm in a professional fool, even if he does nothing but mock people. OLIVIA O, sir, I will not be so hard-hearted; I will give out divers schedules of my beauty: it shall be inventoried, and every particle and utensil labelled to my will: as, item, two lips, indifferent red; item, two grey eyes, with lids to them; item, one neck, one chin, and so forth. I am very comptible even to the least sinister usage. Olivia demands to know where Cesario has been.
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Twelfth Night Act 1 Scene 5 Summary
If only Orsino were Cesario. I will give out divers schedules of my beauty. OLIVIA Sure you have some hideous matter to deliver when the courtesy of it is so fearful. Please look at that letter. For what says Quinapalus? FOOL Not so, neither, but I am resolved on two points. MALVOLIO Gentlewoman, my lady calls. There is no slander in an allowed fool, though he do nothing but rail.
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What happens in Act 1 Scene 5 of the Twelfth Night?
She rejects Orsino's suit, but tells Cesario to come back again. OLIVIA Sure, you have some hideous matter to deliver, when the courtesy of it is so fearful. Olivia asks Cesario to describe Orsino's affections for her. We know that this must be Malvolio comes back, reporting that the young man refuses to leave the house until he has spoken with Olivia. He was the captain of a small, flimsy ship, worthless because of its size—but with that pitiful boat he fought such a damaging battle against my fleet's most noble warship that we had to admire him even in our bitter defeat.
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Twelfth Night Act 1, Scene 5 Translation
What is your parentage? OLIVIA Give us the place alone: we will hear this divinity. Public opinion reports that he is generous, smart, and brave, both gracious in his manner and good-looking. She asks him, "What is your parentage? I told him you were asleep. OLIVIA What think you of this fool, Malvolio? But when I had to go to bed, With hey, ho, the wind and the rain, With the drunkards and the fools, For the rain it rains every day. OLIVIA Oh, you are sick of self-love, Malvolio, and taste with a distempered appetite.
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Scene 5
OLIVIA Sure, you have some hideous matter to deliver, when the courtesy of it is so fearful. If you give the dry fool a drink, then the fool won't be dry anymore. But yet I cannot love him; He might have took his answer long ago. Enter VIOLA, and Attendants VIOLA The honourable lady of the house, which is she? FOOL 5 Let her hang me. VIOLA Most radiant, exquisite and unmatchable beauty , -- I pray you, tell me if this be the lady of the house, for I never saw her: I would be loath to cast away my speech, for besides that it is excellently well penned, I have taken great pains to con it. Re-enter MALVOLIO MALVOLIO Here, madam, at your service. Olivia sends Cesario back to Orsino to tell him that Olivia still does not love him and never will.
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Twelfth Night: Act 1, Scene 5
If you were generous, innocent, and friendly, then you wouldn't make such mountains out of mole-hills. Sir Toby appears, mostly drunk, and then staggers back out. Olivia here adopts the kind of ornate language mainly used by Orsino up to this point. When Cesario is admitted, further masks and disguises are used to their fullest. We arrested him here in the streets, where he was recklessly brawling as if he didn't care that we were looking for him. OLIVIA Oh, sir, I won't be so cruel. She then veils her face before he enters.
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