The torso of apollo. What is the lesson of the poem "Archaic Torso of Apollo"? 2022-10-26
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The torso of Apollo is a masterpiece of ancient Greek sculpture that has captivated the hearts and minds of art enthusiasts for centuries.
The sculpture is believed to have been created around 330 BC, during the Hellenistic period, by an unknown artist. It is made of marble and stands at a height of approximately 1.8 meters.
The torso of Apollo is an incomplete sculpture, as it only represents the upper part of the god's body. However, despite its incompleteness, it is still a stunning work of art that showcases the skill and talent of the ancient Greek sculptors.
One of the most striking features of the torso of Apollo is its muscular physique. The god is depicted with broad shoulders, well-defined pectorals, and powerful arms. His abdomen is also clearly defined, with rippling muscles that suggest a strong and athletic build.
In addition to its physical beauty, the torso of Apollo is also notable for its emotional depth. The god's face is tense and focused, as if he is preparing to unleash his divine power. His eyes are intense and piercing, while his lips are slightly pursed, as if he is about to speak. This emotional depth gives the sculpture a sense of movement and energy, even though it is a static work of art.
Over the centuries, the torso of Apollo has become one of the most famous sculptures in the world. It has inspired countless artists and has been admired by millions of people. Its beauty and skillful craftsmanship continue to captivate and inspire people to this day, making it a true masterpiece of ancient Greek art.
Plaster Cast Torso of Apollo by Rainer Maria Rilke
Torso of Apollo : Free Download, Borrow, and Streaming : Internet Archive
This blank would become empty in a different, pointless way were the command taken to be something detachable from the poem that voices it. Freud, Sigmund, Civilization and Its Discontents, translated from the German by James Strachey, W. You must change your life. Rilke then attended the Handelsakademie, a business school in Linz, Austria, but he left in 1892 without completing a degree. A reader of a poem, or the viewer of a sculpture, provides a third silence contemplating the silence of the art work, of the poem or the sculpture, as if it were his or her own silence. Otherwise the curved breast could not dazzle you so, nor could a smile run through the placid hips and thighs to that dark center where procreation flared. You must change your life.
Travelling for culture: the Grand Tour: 4.1 Rilke and the Archaic Torso of Apollo
In other words, the formative Christian culture must be changed. In his poetry, Rilke defines himself by his relation to the world about him. This critique is the result of a revelation achieved through artistry, which the torso imparts. Yet, in the torso, there seems to be nothing lacking. Seeing the statue reveals to the poet that the culture has devitalized the body and consequently robbed it of the spirit that turns matter into vitality. In Civilization and Its Discontents, Freud examines the opposition between the fundamental human instincts, which crave expression, and the forces of civilization, which seem to depend on curbing or repressing those instincts.
The Greek representation of the body in art shows the way the Greeks saw and thought about the body. He was always represented as a handsome young man. Sonst könnte nicht der Bug der Brust dich blenden, und im leisen Drehen der Lenden könnte nicht ein Lächeln gehen zu jener Mitte, die die Zeugung trug. In either case, the image suggests the eyes are growing into ripeness and are glowing with that ripeness, full with roundness and rich with light and life. Do not be judgmental about your response, as you may choose a work that you either like or dislike. Usually, ekphrastic poems are written about a painting, but they can also be based on a sculpture, an object, or even architecture.
The poet does not interpret the trunk; he beholds it. What is the poem Apollo about? These currents give matter its vitality. Cite this page as follows: "Archaic Torso of Apollo - Themes and Meanings" Critical Guide to Poetry for Students Ed. The aesthetic effect of the poem is its ethical force, but to know what that means, we must surrender ourselves and become, instead, the poem's reader. You must change your life.
Truth is embodied and embedded in each individual. If the lamp is dim, how can it "gleam"? Uccello and the torso must be there for Calvino and Rilke to turn their backs on and dream. Does it refer to the poet or to the reader, and who is speaking, the poet or the statue? When the poet looks at the torso of Apollo he sees and understands the Greek point of view. Und die verwandelte Daphne will, seit sie lorbeern fĂĽhlt, dass du dich wandelst in Wind. A work of art, rather than being an object, is an encounter that produces a revelation. Lowe-Porter, Vintage Books, 1989. That is to say, we are not our true selves; we are instead the selves constructed, and thus curtailed, by our society.
What is the lesson of the poem "Archaic Torso of Apollo"?
Since his death, Rilke has come to be regarded as one of the greatest German lyric poets. Rilke, Rainer Maria, "Archaic Torso of Apollo," in The Selected Poetry of Rainer Maria Rilke, translated and edited by Stephen Mitchell, Vintage International, 1982, p. The Open University is authorised and regulated by the Financial Conduct Authority in relation to its secondary activity of credit broking. This revelation is illustrated in "Archaic Torso of Apollo. The effect of this kind of repetition is to endow the poem with the feeling that it is a logical argument, that it is a kind of discourse with premises and a conclusion that follows from those premises.
The Ability of Matter to Represent Spirit The speaker is clear in "Archaic Torso of Apollo" that the object looked upon is stone, something that exists entirely in the realm of matter. The "You must change your life" is a statement that is not meant as a command or entreaty. The archaic torso of Apollo the thing, not the poem is nothing other than the poet or person who is looking at it. Is the poet, speaking to himself, being overheard by the reader? Greece, the term ekphrasis was applied to the skill of describing a thing with vivid detail. Though the two absences are different in kind—Calvino's absence of birds derives from an inherent limitation of the visual medium, its inability to present time—sequentiality, while Rilke's absence of head, arms, and genitals is contingent, a result of the ravages of time-both serve as springboards to a destruction of the physical presence of the work of art concerned. Although the Apollo is decapitated, it is still whole.
On “Plaster Cast Torso of Apollo” by Alice Fulton
In stories like "Farther Sergius," "Master and Man," "The Death of Ivan Ilych," "The Devil," and "The Kreutzer Sonata," Tolstoy's particular genius for expressing ideas in concrete images and in the narration of actual events is clearly evident. Poet and writer Alice Fulton was born in Troy, New York in 1952. Stanza 4 If the life of the eyes were not somehow glowing in the trunk, the trunk would not have the power to fascinate the observer. The poet finds that the trunk, which ought to be a mute and meaningless piece of stone, contains the life force and the meaning that might have been found in the head. The poem ends by returning to the idea of change, but this time as a deliberate act that "must" be undertaken.
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