Endogamy is a social practice in which people marry within a specific group or social unit. This group could be defined by cultural, religious, or ethnic ties, or it could be based on social class or other shared characteristics. Endogamy is the opposite of exogamy, which refers to the practice of marrying outside of one's group.
Endogamy has a long history, and it has been practiced in many different societies around the world. In some cases, endogamy is a traditional or cultural practice that has been passed down for generations. In other cases, it may be a more recent development, driven by a desire to maintain cultural or religious traditions or to strengthen social ties within a specific group.
There are many reasons why people may choose to practice endogamy. For some, endogamy is a way to maintain cultural traditions and to ensure that their children will be raised in a certain cultural or religious context. For others, endogamy is a way to strengthen social bonds within a group and to ensure that resources and support are shared within the community.
Endogamy can also have economic benefits. For example, in some societies, endogamy may be used to preserve and protect the wealth and resources of a particular group. By marrying within the group, individuals can help to ensure that resources are not dissipated or lost to outsiders.
Endogamy can also have negative consequences, however. In some cases, endogamy may be used to maintain social hierarchy or to perpetuate discrimination and inequality. For example, in some societies, endogamy has been used to maintain caste systems or to keep certain groups in positions of power and privilege. In other cases, endogamy may be used to restrict the freedom and choices of individuals, particularly women.
Overall, endogamy is a complex social practice that has both positive and negative consequences. While it can be a way to maintain cultural traditions and strengthen social bonds, it can also be used to perpetuate discrimination and restrict the freedom and choices of individuals.
A Rose For Emily, William Faulkner
After her father's death she went out very little; after her sweetheart went away, people hardly saw her at all. Grierson had once lent the community a significant sum. The story follows the life of Emily Grierson, a woman who is isolated from the rest of the town due to her aristocratic background and the strange circumstances of her life. The reason for Sartoris remitting her taxes is never given, only that he told Emily it was because her father loaned the money to the town. Up to the day of her death at seventy-four it was still that vigorous iron-gray, like the hair of an active man.
The mayor of the town, The funeral is a large affair: Emily had become an institution, so her death sparks a great deal of curiosity about her reclusive nature and what remains of her house. She died in one of the downstairs rooms, in a heavy walnut bed with a curtain, her gray head propped on a pillow yellow and moldy with age and lack of sunlight. The rose is often symbolic of love and passion ''A Rose for Emily'' Literary Devices In ''A Rose for Emily,'' Faulkner uses several different types of figurative language, including metaphors, similes, alliteration, irony, personification, symbolism, and imagery, in order to deepen the audience's understanding of Emily Grierson, the town, and the plot. Section 1 reveals that Emily was raised by a controlling father who drove away all of her suitors, believing that none of them were good enough for his daughter. And now Miss Emily had gone to join the representatives of those august names where they lay in the cedar-bemused cemetery among the ranked and anonymous graves of Union and Confederate soldiers who fell at the battle of Jefferson. A neighbor, a woman, complained to the mayor, Judge Stevens, eighty years old.
The Negro led them into the parlor. They broke open the cellar door and sprinkled lime there, and in all the outbuildings. And, as we had expected all along, within three days Homer Barron was back in town. A neighbor, a woman, complained to the mayor, Judge Stevens, eighty years old. We did not say she was crazy then. Colonel Sartoris absolves Emily of any tax burden after the death of her father. The house is an indicator revealing how Emily struggled to keep everything the same, in a frozen time period, avoiding change.
The Role Of Conformity In William Faulkner's A Rose For Emily 716 Words 3 Pages Because her family was prominent in the town of Jefferson, Emily Grierson was watched her entire life and wondered about by everyone. They called a special meeting of the Board of Aldermen. The Negro delivery boy brought her the package; the druggist didn't come back. I have no taxes in Jefferson. They were admitted by the old Negro into a dim hall from which a stairway mounted into still more shadow.
It starts with the announcement of Emily's death, an event that has the entire town talking. When we next saw Miss Emily, she had grown fat and her hair was turning gray. When the town got free postal delivery, Miss Emily alone refused to let them fasten the metal numbers above her door and attach a mailbox to it. During the years of her isolation, he provided no details of her life to the townspeople. A eccentric recluse, Emily is a mysterious figure who changes from a vibrant and hopeful young girl to a cloistered and secretive old woman.
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She eventually closes up the top floor of the house. She told them that her father was not dead. The man himself lay in the bed. The Negro delivery boy brought her the package; the druggist didn't come back. Colonel Sartoris invented an involved tale to the effect that Miss Emily's father had loaned money to the town, which the town, as a matter of business, preferred this way of repaying. Upon a chair hung the suit, carefully folded; beneath it the two mute shoes and the discarded socks.
Her kinsfolk should come to her. Despite the occasional lesson she gives in china painting, her door remains closed to outsiders. A week later the mayor wrote her himself, offering to call or to send his car for her, and received in reply a note on paper of an archaic shape, in a thin, flowing calligraphy in faded ink, to the effect that she no longer went out at all. We had long thought of them as a tableau, Miss Emily a slender figure in white in the background, her father a spraddled silhouette in the foreground, his back to her and clutching a horsewhip, the two of them framed by the back-flung front door. She is required by law to reveal how she will use the arsenic.
A Rose for Emily (1930) : Willaim Faulkner : Free Download, Borrow, and Streaming : Internet Archive
Among them lay a collar and tie, as if they had just been removed, which, lifted, left upon the surface a pale crescent in the dust. She died in one of the downstairs rooms, in a heavy walnut bed with a curtain, her gray head propped on a pillow yellow and moldy with age and lack of sunlight. As they recrossed the lawn, a window that had been dark was lighted and Miss Emily sat in it, the light behind her, and her upright torso motionless as that of an idol. However, at that point he has been dead for almost a decade. Emily sheds blood, the same color as the red petals of a rose. Daily, monthly, yearly we watched the Negro grow grayer and more stooped, going in and out with the market basket.
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