The Man Who Shot Liberty Valance is a classic western film directed by John Ford and released in 1962. The film tells the story of a young lawyer named Ransom Stoddard, who travels to the small town of Shinbone in the American West. There, he meets Liberty Valance, a notorious outlaw who terrorizes the town and its citizens. Despite the danger posed by Valance, Stoddard decides to stay in Shinbone and fight for justice, eventually facing off against Valance in a climactic showdown.
The film is known for its complex themes and characters, and it has been analyzed by film critics and scholars for decades. One of the most striking aspects of The Man Who Shot Liberty Valance is its portrayal of the relationship between law and justice. Stoddard is a symbol of the rule of law, representing the civilized and modern values of the East. Valance, on the other hand, is a representation of the Wild West, a place where law and order are often subverted by violence and brute force.
Throughout the film, Stoddard is confronted with the difficult decision of whether to fight for justice within the confines of the law, or to take matters into his own hands and use violence to defeat Valance. Ultimately, Stoddard chooses the former, choosing to use his intelligence and legal skills to outmaneuver Valance and bring him to justice. This decision reflects the film's underlying message that the rule of law is essential for a just society, even in the face of violence and chaos.
Another important theme in The Man Who Shot Liberty Valance is the role of myth and memory in shaping the way we view the past. The film is narrated by an elderly Stoddard, who reflects on the events of his youth and the ways in which they have been distorted over time. This perspective highlights the fact that history is often shaped by the stories we tell about it, and that the truth can be difficult to discern.
In the end, The Man Who Shot Liberty Valance is a powerful and thought-provoking film that explores the complex relationship between law, justice, and violence. Its themes and characters have resonated with audiences for decades, making it a classic of the western genre and a timeless tale of the American West.
(The Man Who Shot) Liberty Valance
This book portrays the story from an Aztec point of view so it is clear that the author is on the Aztecs side. It discusses when the Aztecs first take news of the arrival of Cortez and the Spaniards comparing it to small floating mountains off the Mexican coast, all the way to the revolt of the Aztec people that lead to the end of the Aztec civilization. With the help of a waitress, Hallie, and the restaurant owners, Ransom recovers and wants revenge. Martyrs of the Alamo does not portray Mexicans and Mexican-Americans in a very positive way, did not show very much of and demonized Santa Anna, and did not have a lot of Sam Houston. At the end of the 60s, the guise of this American Dream was disappearing. The inevitable transition represents a death of the old social order which then paves way for a new and modern society.
The Man Who Shot Liberty Of Valance: Film Analysis
Here there is nothing cathartic or healing about the cannibalism, but rather cannibalism leaves the realm of abstract social threat and into the realm of real social and individual threat, as barriers between the viewer and the actors in the screen are broken down and antagonized Dwyer 270-72. There are no breathtaking vistas, no heart-stopping chases across the vast expanses of the desert. The protagonist, Troy Maxson, defines this role. Yet Ransom and Valance are caught in a gunfight. Dada was not rational, yet this author believes that Dada shows a sense of rationality. Their dreams turn against them causing them to have to confront people or memories from their past. Hallie goes to Tom for help, prompting Tom to warn Rance to stay away from Hallie.
Liberty Valance from The Man Who Shot Liberty Valance
The screenplay by James Warner Bellah and Willis Goldbeck contains one of the best-known lines of dialogue in any Ford movie, spoken to Stoddard years later by the town's new newspaper editor: "This is the West, sir. From a male war hero to a female veteran, Kristen has gone through several experiences that are all psychologically interesting. Repeat something enough and it becomes real and challenging it becomes difficult. The old town is portrayed as one which is complete with a drunken doctor, only two saloons, a cowardly …show more content… The death of characters such as Liberty Valance depicts the sacrifice of men or heroes for the purposes of realizing the needs of a growing society. Tom killed him, from the shadows across the street.
