The looking glass poem summary. The Looking Glass 2022-10-29
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The Looking Glass is a poem written by Lewis Carroll, the author of Alice's Adventures in Wonderland. The poem is a play on words and explores the concept of reflection and how it relates to our perception of reality.
The poem begins by introducing the "mirror of the world," which is described as a "shining shore." This mirror reflects all that exists in the world, including people, animals, and objects. The poem then asks the reader to consider what they see when they look into the mirror.
The poem goes on to describe how the reflection in the mirror is not an exact copy of what is being reflected. Instead, it is a distorted version that is flipped horizontally. This means that the left side of the reflection corresponds to the right side of the object being reflected and vice versa.
The poem then asks the reader to consider whether they are the reflection in the mirror or the object being reflected. This question raises the idea that our perception of reality may not be accurate and that we may not have a complete understanding of the world around us.
In the final stanza, the poem suggests that the looking glass is a metaphor for how we perceive the world. Just as the reflection in the mirror is distorted and flipped, our perception of the world may also be distorted and incomplete.
Overall, The Looking Glass is a thought-provoking poem that encourages the reader to consider the nature of reality and how it is perceived. It challenges us to consider whether our understanding of the world is accurate and to question our assumptions about what is real. So, the poem summary of The Looking Glass is about the reflection, distortion, and the perception of reality.
Through the Looking Glass Chapter 6 Summary and Analysis
For this reason, it isn't clear whether the narrator will actually follow through on this commitment to only prizing Isabella open with the "subtlest" of tools. He is not passionate enough or not skillful enough to be able to arouse in her a really intense or fervent desire for sexual gratifications. As they walk, he tells her about all of his inventions before sending her off with a song. That the house seems to be physically breathing in real life, but then appears immortal and without breath in the looking-glass, implies that the looking-glass is essentially killing life by turning it into a still image. By pointing out that the mirror is impossible not to look into, the narrator implies that it is not their fault that they are looking in the mirror and—by extension—prying into the private details the mirror might reveal. If anything Nellie is persistent when it comes to Dr Lukitch, she is driven by her love and devotion to her husband. She does not really want to listen to a poem, but when she hears that he composed it just for her, she figures she should just listen.
She crosses the final brook and finds herself sitting on the bank with a crown on her head. However, as Isabella snips a branch in the garden, the narrator imagines a little light falling on her face, allowing for more insight into her mind. She is thrust into a shop which turns into a boat and then back into a shop. Most of the time Carroll gave Tenniel very precise instructions on what and how to draw. The narrator describes the elegant shoes that Isabella is wearing down in the garden. All the fond details that make Him male and your only man.
Her shoes, the narrator notes, are fashionable and comfortable. It may not be the light reflected in the mirror that is harsh and unrelenting; rather, it may the narrator, rendered biased by their own jealousy toward Isabella. In essence the reality of life sets in for Nellie just as the looking-glass breaks. Alice leaves the house and spots a beautiful garden in the distance, but every time she tries to follow the path to the garden she finds herself back at the door to the house. On the other side of the mirror, Alice discovers a room similar to her own but with several strange differences.
The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. Plath makes the mirror a dramatic persona that talks. Passion seems to leap out of every line. This will satisfy his male ego and excite his passion for the weaker sex. Come fill up my cup, etc. He abruptly bids her goodbye, and Alice storms off, annoyed. To further satisfy his male ego, a woman should stand naked, initially, not in front of him but in front of the mirror.
Come fill up my cup etc. Nellie appears to equate happiness to being married which again would have been common at the time the story was written. This imagined scene is one of the most beautiful in the book. Before she knows it, Alice finds herself in a boat with the Sheep, rowing down a stream. The soft, young and lovely body of the woman is what makes the man believe that he is strong. However, the fact that this final sentence also repeats part of the story's first sentence adds to the feeling that the story has, in a way, led nowhere.
Nothing is, in truth, concealed from the reader, not even the ugly and the forbidden. He argues that there is nothing to worry about, and before he can explain why, Alice says that it is because the kings men will all come to put him back in his place. In contrast to the inhuman qualities of the seemingly-human narrator, Woolf describes the drawing room which is clearly inhuman as being essentially alive, and even humanlike. The citation above will include either 2 or 3 dates. But these qualities ultimately become the tools of exploitation as depicted in her poem Stanza 4 The poet again repeats the beginning line, Oh yes, getting a man to love is easy. Ending the reverie, the narrator then begins to make other suppositions about Isabella: that her mind wanders and that she keeps her many thoughts to herself.
The poem is remarkable for its uninhibited and daring portrayal of the theme of physical its assertion of female sexuality and its exploration of male and female psychology. Here, the mirror seems to actively and even wilfully distort reality in strange and unpredictable ways. One that had never done me wrong — A feeble man and old; I led him to a lonely field, The moon shone clear and cold: Now here, said I, this man shall die, And I will have his gold! Prior to her dream ending she begins to question what life might really be. I thought of Chatterton, the marvelous Boy, The sleepless Soul that perished in his pride; Of Him who walked in glory and in joy Following his plough, along the mountain-side: By our own spirits are we deified: We Poets in our youth begin in gladness; But thereof come in the end despondency and madness. It's interesting to note that this "challenge" comes not from any real-life action by Isabella, but rather, simply the narrator's imagined scene, in which Isabella hides the letter from view after reading it. These letters are presumably from friends, lovers, and acquaintances, all discussing the many experiences that they and Isabella have shared. The ironic tone and the intermittent unpoetic matter makes readers see the futility and sterility of such a lustful relationship.
A Short Analysis of Robert Louis Stevenson’s ‘Looking
Alice distributes the cake, but before they begin eating, a great noise interrupts, and when Alice looks up, she finds herself alone again. This suggests that the narrator is moving toward trusting the image in the mirror and whatever truth it may convey, even if earlier passages have cast doubt on the mirror's ability to provide a complete and non-distorted reflection of reality. Humpty Dumpty asks her not to mutter to herself, and she expresses concern about him being seated so precariously on the wall. Like sportive deer they coursed about, And shouted as they ran,— Turning to mirth all things of earth, As only boyhood can; But the Usher sat remote from all, A melancholy man! Seemingly aware of this limitation, the narrator decides to turn to another tool—imagination—to attempt to accurately reflect reality. The dependence of woman thus leads to her misery. My former thoughts returned: the fear that kills; And hope that is unwilling to be fed; Cold, pain, and labour, and all fleshly ills; And mighty Poets in their misery dead. He of course claims that he is good at everything, but it seems that his most likely specialization is linguistics.
