Sylvia Kantaris is a Greek-Canadian philosopher and academic who has made significant contributions to the fields of feminist theory and critical race theory. Kantaris was born in Athens, Greece in 1954, and immigrated to Canada with her family as a child. She received her Bachelor's degree in Philosophy from the University of Toronto in 1976, and went on to earn her Master's degree and PhD in Philosophy from the same institution.
Kantaris is best known for her work on the intersection of feminism and critical race theory, and has published numerous articles and books on the subject. In her work, Kantaris argues that traditional feminist theory has often been limited in its focus on the experiences of white, middle-class women, and that it is necessary to consider the intersection of race, gender, and class in order to fully understand and address the experiences of all women.
One of Kantaris' most influential works is her book "Feminism and Critical Race Theory," which was published in 2003. In this book, Kantaris explores the ways in which traditional feminist theory has often failed to consider the experiences of women of color, and how critical race theory can be used to expand and enrich feminist theory. Kantaris also discusses the importance of intersectionality, the concept that different forms of oppression (such as racism, sexism, and classism) intersect and compound on each other, in understanding the experiences of marginalized groups.
In addition to her work on feminism and critical race theory, Kantaris has also made significant contributions to the field of political philosophy. She has written extensively on issues related to democracy, power, and social justice, and has been a vocal critic of capitalist systems and their impact on marginalized groups.
Throughout her career, Kantaris has been a dedicated teacher and mentor, and has served as a professor at the University of Toronto and other institutions. She has also been involved in numerous activist and community organizations, and has been recognized for her contributions to social justice and equality.
In summary, Sylvia Kantaris is a highly respected philosopher and academic who has made significant contributions to the fields of feminist theory and critical race theory. Her work on the intersectionality of race, gender, and class has helped to broaden and deepen our understanding of the experiences of marginalized groups, and her activism and dedication to social justice have inspired many others to work towards a more equitable world.
The Sea at the Door
Since 1990, she has lived by herself in Helston. I caught the boat just once by some strange mismanagement and stood as it slid out of harbour silently, unpiloted. Bloodaxe recently released a statement about her, containing a tribute to her by Philip Gross, which is available here. T News From The Front by D. The extended metaphor in "Genesis" is a case in point: May I scream? Water-Colours, Cornwall Night Crossing Bride Ship NEW! Liskeard, Cornwall, Peterloo, 1983.
My muse lands with a thud like a sack of potatoes. For ordering information and prices please see Permission to reprint Sylvia Kantaris holds the exclusive copyright for all of her poetry. I just stop it for an hour and let time do the catching up —then the hold is exerted straightaway. . Besides, Kantaris's own powers of expressing the emotional and the sensual are intense enough in themselves. The Air Mines of Mistila, with Philip Gross, is successful enough, but in News from the Front, with D. None of them had any kind of luggage or newspapers.
. Several poems have been set to music, also used in film, discussed in academic books, set for exams and read on radio. I included one of her poems in my book A Commonplace and we had some correspondence. On this site you will find information about the poet and her books, together with selections of her poetry. . Thomas Arc, 1983 , and The Air Mines of Mistila with Philip Gross Bloodaxe Books, 1988 , a poetry Book Society Choice. Doors slam shut on something out of focus — one blurred face, a mist of memories.
Todmorden, Yorkshire, Arc, 1983. Daisy-wheels have gone into the word-processors. Two born-again believers interrupt my interrupt line. Her eye for detail often intrigues the reader: My grandmother's kitchen looks almost normal on the surface, though a bit too bare. The poem gives not so much a picture of the kitchen as a character study of a grandmother. Full PDF download of this book now available in memoriam for J.
Please provide an analysis & commentary on Sylvia Kantaris's poem Snapshotland.
For all I know the crazy bitch is dead. Dirty Washing: New and Selected Poems. Career: English teacher, Withywood School, Bristol, 1958—59; English and French teacher, Awards: Poetry Magazine award Australia , 1969; Poetry Society Competition award, 1982; Major Arts Council Literature award, 1991; Society of Authors award, 1992. Though this child grows in me— not unwanted certainly, but not intended on my part; the risk did not concern me at the time, naturally. But in real life they just stayed, folded, in a shroud of sheets, protected from the moths by napthalene.
Sydney, Poetry Society of Australia, 1975; as Sylvia Kantaris , Helston, Cornwall, Menhir, 1986. Nor was any supple son of Zeus appointed to pollinate my ear with poppy dust or whispers of sea-spray. Family: Married Emmanuel Kantaris in 1958; one son and one daughter. The terminal deletes my garbled simplex and repeats: Rose, thou art sick; a fatal error bugs thy memory banks. Pressing buttons, counting on my fingers, I have grown dyslexic.
