Muley Graves is a fictional character from John Steinbeck's novel "The Grapes of Wrath." He is a poor, elderly tenant farmer who has been driven off his land by the bank and is forced to migrate with his family to California in search of work during the Great Depression.
Muley is a strong, determined man who refuses to give up despite the many hardships he faces. He is deeply attached to his land and is heartbroken when he is forced to leave it. However, he knows that he must do what is necessary to provide for his family, even if it means leaving behind the home he loves.
Throughout the novel, Muley serves as a symbol of the resilience and determination of the poor and dispossessed during the Great Depression. He represents the struggle of the working class to survive and find a better life in the face of extreme adversity.
Despite the many challenges he faces, Muley remains hopeful and optimistic, never giving up on the possibility of a better future. He is a symbol of hope and determination, and serves as an inspiration to others facing difficult circumstances.
In conclusion, Muley Graves is a complex and deeply human character who embodies the resilience and determination of the working class during the Great Depression. Through his struggles and triumphs, he serves as a poignant reminder of the strength and fortitude of the human spirit in the face of hardship.
How is Muley Graves characterized by animal imagery?
Why of course you can! My dogs is burned up. He got all of it back—all but a sofa pilla, velvet with a pitcher of an Injun on it. We'd be ashamed if everybody else's children wasn't the same way. He recalls how the emissaries of the bank, using their tractors like tanks, forced the people off their ancestral land and how he personally refuses to leave. Like family or very close friends. Carloads, caravans, homeless and hungry; twenty thousand and fifty thousand and a hundred thousand and two hundred thousand.
Muley Graves and Gatsby: Different Lifestyles, Similar...
The flash of little flames picked out the cords of his neck. I didn't know what alone was until the first night I spent without you in my bed. Old folks died off and little fellars come. I figgered maybe Grampa and Granma'd be dead, an' maybe there'd be some new kids. An' I ain't agoin'. Summary: Chapter 6 Tom and Casy find the Joad homestead strangely untouched, other than a section of the farmhouse that has been crushed. He said slowly, "Yeah, I'm goin' with you.
Muley Graves in The Grapes of Wrath: Importance & Function
An' there was meetin's and shoutin' glory. However new landowners are very cruel and Muley needs to hide every time. Maybe—" He stood over the fire. They ain't sure who it is, an' I ain't gonna let 'em catch me. However, not everyone left. They thought he lef' it, an' they jus' took it. Tom and Casy express dismay about what has happened and concern for the person Muley has become: scared, flight-prone, and vengeful.
Muley Graves calls himself a “graveyard ghost.” How appropriate of a metaphor is it?
Some days there I'd take in ten or twenty dollars. Why,' he says, 'I'll take that squirt and wring 'im out like a pair of drawers. Well, Milly Jacobs was in a family way, an' she went ravin'. He took to savin' chicken feathers. While this family could have given up hope and given into despair they kept on pushing.
What does the name "Muley Graves" (chapter 5) suggest?
John got his notice he got to get off. Do her before I could figure her out. An' he says it don't do no good to read books. His black hat was as stained as his coat, and the band, torn half free, flopped up and down as he walked. Now there's somethin' I ain't never had enough of. We was always one thing.
The Grapes of Wrath (film)
Me fourteen an' stampin' an' jerkin' an' snortin' like a buck deer, randy as a billygoat. Bed wasn't there, but it was the room. Muley sprang up and ran toward the house, and in a few moments he came back and threw a bundle of coats and shoes down. I went to the hall to see that he was on the outside when he shut the door. We are also introduced to the theme of family and get a glimpse of the only other option available to the Joads.
