In William Shakespeare's play "Othello," Emilia is a complex character who is often overlooked. She is the wife of Iago and the handmaid to Desdemona, and although she is not a major player in the story, she has several important monologues that reveal her thoughts and feelings about the events of the play.
One of the most significant monologues that Emilia delivers is in Act IV, Scene 2, when she is asked by Othello to retrieve the handkerchief that he had given to Desdemona. Emilia, who has always been honest and forthright, is hesitant to betray the trust of her mistress and tells Othello that she does not have the handkerchief. However, Othello is convinced that Desdemona is unfaithful and becomes angry and threatening, causing Emilia to fear for her own safety.
In this monologue, Emilia speaks of the power dynamics between men and women and how they can be used to manipulate and control others. She says: "The business that I have in hand tonight will not suffer much delay. If it be fair and lawful for a man to use his wife so, it is not well done, but it is not well done to take away a life from any man. It were not fit for your honor to do so."
Through this monologue, Emilia highlights the hypocrisy of Othello's actions and the double standard that exists in relationships between men and women. She also shows her loyalty to Desdemona and her willingness to stand up for what is right, even if it means risking her own safety.
Another important monologue delivered by Emilia occurs in Act IV, Scene 2, when she confronts Iago about his role in the death of Desdemona. Emilia has always suspected that Iago is up to something and has grown increasingly frustrated with his lies and manipulations. In this monologue, she finally confronts him, saying: "You told a lie, an odious damned lie; upon my soul, a lie, a wicked lie. She loved thee, and thou hast tricked her."
Through this monologue, Emilia exposes the truth about Iago's actions and reveals the depth of his betrayal. She also shows her own strength and courage in standing up to him, despite the danger it may pose to her.
In conclusion, Emilia's monologues in "Othello" serve as important moments of self-reflection and insight into her character. She is a complex and multifaceted woman who is not afraid to speak her mind and stand up for what she believes in. Despite her position as a secondary character, Emilia's monologues reveal important themes about power, manipulation, and loyalty that are central to the play.
Newlywed Shakespeare: Revisiting the Complete Works as a Mrs.: Othello Act 4: Emilia's badass monologue and someone needs to do a cover of the Willow song
From the start of her monologue, Emilia explodes in anger towards lago. Emilia equivocates men to women in her monologue, arguing out of anger that women can be just as cunning. Her film credits include Adoration Adore , starring Robyn Wright and Naomi Watts, Tracks, starring Mia Wasikowska and Adam Driver and lead roles in the Australian features Lemon Tree Passage and Beast No More. EMILIA I will be hang'd, if some eternal villain, Some busy and insinuating rogue, Some cogging, cozening slave, to get some office, Have not devised this slander; I'll be hang'd else. Bibliography Othello, William Shakespeare Cambridge University Press 1992,2005 Edited by Jane Coles. I just have to say that "find myself fobbed in it" should give us a MUCH NEEDED laugh at this point.
Her insistence on speaking out costs her her life when Iago stabs her in desperation. She So hangs, and lolls, and weeps upon me; so hales, and pulls me: ha, ha, ha! Othello kisses Desdemona Ah, warm breath, that almost persuades, Lady Justice to put away her sword! And frailty, as men have? A play about a handkerchief. We also get a little more of a hint about the marital strife between Iago and Emilia and reminded of some of Iago's potential motivation for unleashing all this havoc: EMILIA O, fie upon them! It is at this point in the play that Iago, who is prepared to make the most out of every incident, begins to taint Othello's belief in Desdemona's fidelity. IAGO You are a fool; go to. Should it trouble me that I am more drawn to the vengeful characters than the merciful ones? This experience quite possibly could be what Emilia in her monologue tries to give to Desdemona, and perhaps tries to persuade her to change her honest ways in order to survive.
In the play, we see this come to pass when Because of these reasons, Emilia warns all men to change their ways and start treating their wives with the respect they deserve Essay on Analyses of Race and Gender Issues in Shakespeare's Othello Analyses of Race and Gender Issues in Othello The discussion of race in Shakespeare's Othello has received a great deal of critical attention. IAGO I pray you, be content; 'tis but his humor: The business of the state does him offense, And he does chide with you. Understanding what kind of marriage Emilia is in might help unlock the subtext behind her words. Bianca and Desdemona, the two most different women, both being called strumpet creates a direct comparison. I think it doth. According to her speech, there are some married women who do cheat on their husbands, there are problems in There must have been a good reason that made …show more content… To Emilia, the power of doing something for sake of the one you love is new form expression that a woman of their age and new age still battle with, but sometimes it works.
Speaking of merciful, Desdemona ends the scene with a counterpoint to Emilia Good night, good night: heaven me such uses send, Not to pick bad from bad, but by bad mend! My advice is to remember that Othello wants to kill Desdemona. And then Cassio comes on stage and it falls out just as Iago said it would. IAGO With her, on her; what you will. However towards the end of her monologue she begins to ask questions, whether they are rhetorical or aimed towards Desdemona is not known. I think it does: is it weakness that leads them to offend? Just felt I needed to reiterate that… After the women leave, Roderigo comes to confront Iago and it seems that Iago no longer has the verbal sway he used to as Roderigo turns Iago's own language back on him: IAGO Well; go to; very well. You could argue that she is simply advocating for equality. AHAHAHA I'm not disabusing her of this thought though because I want her to keep doing textile work for me and giving me sexual favors.
The Contrasting Themes of Love and Infidelity in Othello, a Play by William Shakespeare Essay Example
I guess I like them too but… the vengeful ones seem so much more interesting… I guess at least I have no interest in playing Tamara? I can't do justice to Stephen Booth's amazing Blackfriars presentation on this line, so I'm just going to have to reference it and move on and maybe some of you who were there will remember it fondly and others can try and ask me in person…w here I will still fail to communicate the brilliance. And doth affection breed it? You can hear one rendition of the willow song here: For a small vice. How do you stay on task and not fall into washing the speech with one emotion? According to Emilia, men are the cause of many marital relationships. I think in some ways that makes this better than the RIII scene. Monumental Alabaster: A white mineral that was smoothed and used in making statues. So… I want to keep seeing you and doing you… just don't make it public because you know i'm really concerned about my reputation.
Iago then tells Othello that he will have Cassio talk about his time with Desdemona again and othello can spy on them out of ear shot, but after Othello is further away he tells the audience he will really ask Cassio about his exploits with Bianca. Stylistic "Impurity" and the Meaning of Othello, Elias Schwartz Studies in English Literature, 1500-1900 , Vol. University of Illinois Press 1980 pp 211-222. What are they doing When they fool around with other women? Unfamiliar Words and Phrases Chaste: Virginal, in other words; what Othello believes Desdemona is not. Othello, a general employed by the Venetian state, is then sent to Cyprus to defend it against the threat of invading Turks. Her relationship to lago was an infatuation where she was blind to his selfish actions.
Emilia's Speech in "Othello" and Its Teachings Essay
She says enough; yet she's a simple bawd That cannot say as much. Knocking out his brains… for when subtle is no longer an option… Moving on. Then let them use us well: else let them know, The ills we do, their ills instruct us so. And doth affection breed it? Othello is speaking of murdering his wife and yet the imagery and language is supremely poetic. Sometimes used for the making of funeral monuments.
Othello. Emilias monologue in act IV scene iii lines 82
If I put you out, candle, my servant of light, I can restore your light again, If I regret it. She advocated action for help at rebuilding New Orleans through past facts. CASSIO 'Faith, I intend so. One more, and this the last. Unwilling to stay behind, Desdemona travels to Cyprus with her new husband. He offers Othello the chance to speak up for himself and then offers Desdemona a chance to confirm the story of how Othello wooed her.
Promethean: Prometheus, from ancient Greek mythology was the Titan who stole fire from heaven and gave it to humankind, whom he also created. Can I just say that excessive laughter is a goldmine for an actor?! DESDEMONA If any such there be, heaven pardon him! Jessica Tovey is an Australian actor and writer, who has worked across film, theatre and television for over 15 years. It is so too. Othello is willing himself to kill her and so he must talk himself into it. . I think it is.
After he works up Othello, Cassio comes in and sees Othello freaking out. In performance, how do you play this? Why we have galls: and though we have some grace, Yet have we some revenge. The scene in which this monologue appears is a touching and tender interaction between the two women, Desdemona and Emilia. I cannot go to, man; nor 'tis not very well: nay, I think it is scurvy, and begin to find myself fobbed in it. Then Iago tries to make excuses for Othello's behavior.
